theatre

CHAC’s The Lightning Thief is as Electrifying a Production as Possible (Review)

| Rachel's Reviews

This last weekend I had the chance to see a new production of The Lightning Thief by the incredible Cottonwood Heights Arts Council and even though I find the material they had to work with weak they put on a very strong piece of community theatre.

Of course, The Lightning Thief is a musical based on the books by Rick Riordan and it tells the story of Percy Jackson the teen kid who much like Harry Potter finds out he is special and even goes to a special school (or camp) that helps instruct the half-blood children of the Greek Gods.

The biggest problem with this show is the book of the musical is very weak. The narrative is choppy without a clear focus and characters are introduced and then forgotten about and then brought back out of nowhere. The scenes have little cohesive flow to them and aside from Percy the character development is confusing and poor.

All that said, the team at CHAC did everything they could to make this flawed show engaging and artistically interesting. It was a big step up from the last production of this show I saw in basically every aspect- from the acting, to the directing, to the singing. If you are a fan of this musical (which I know especially young people and fans of the books are out there) then you will love this production.

What impressed me the most is the control of the story director Lauri Baird is able to bring to an ungainly script. I love how she makes every scene visually interesting with elements like puppetry, action and dance (members of the Aerobatics Circus Center perform.) This helps so much because even if I’m a bit lost on what is happening with poor Percy I can still be entertained with what is occurring on stage.

I also found Garrett Stephenson to be a strong lead as Percy with Kat Tietjen and Austinn Le relishing the chance to take on many over-the-top roles. They also have a live orchestra at CHAC (director Robert Bedont) so one really could not ask for more from a piece of community theatre. The choreography by Karllen Johnson is visually interesting and helped me understand the mythical characters that had previously been confusing.

Much like Footloose which I just reviewed at Hale Center Theatre, The Lightning Thief provides a lot of points of conversation for parents to talk with their teens. Plus like I said, this production is a way to introduce them to so many aspects of musical theatre including dance, instrumental music, puppetry and more. All this for under $15? It’s a no-brainer! It is playing through July 19th and tickets can be purchased here.

The Lightning Thief has music and lyrics by Rob Rokicki with a book by Joe Tracz based on the The Lightning Thief novel by Rick Riordan.

If you enjoy my writing and would like me to review your production I’d love to. I also have a patreon which is a great way to support my shorter logs for shows I don’t get to review. I have some really fun perks like bonus episodes, patron polls and monthly Q&As with actors, directors and writers. Please take a look here.

Go Under the Sea at Ideal’s ‘The Little Mermaid’ (Review)

| Rachel's Reviews

I love seeing new theatre companies grow and develop over the years and through various productions. I hope as a critic and influencer I can be a tool for these companies to get the word out and build loyal audiences. One of my favorite new companies is The Ideal Playhouse in Heber. The owners Steve and Karyn Anderson (director and music director respectively) are attempting to make a difference in their community renovating both the Ideal and The Avon theaters into special gathering places all of Heber can enjoy. Their latest production is Disney’s The Little Mermaid and it’s a fun experience or the whole family even if the adaptation by Disney isn’t my favorite.

If you want to hear more of my thoughts on The Little Mermaid in all its forms check out this episode of Talking Disney Classics Podcast I do with my friend Stanford:

Suffice it to say this adaptation doesn’t add much to the 1989 animated masterpiece. Still the stuff from the original film is good so there’s a lot to recommend in The Little Mermaid.

As far as Ideal’s production goes, they do all they can in a small space to help make it feel immersive and entertaining. I particularly like how they bring the bubbles and ocean into the audience with actual bubbles and projections all along the walls. Costume designer Kara Charlesworth does a great job making every piece feel special and eye-catching (especially Ursula’s dress who she is playing!)

I had Marissa Haines as my Ariel (the only part double cast with Lizzy Ricks) and she gives a polished but sweet performance that is excellent. Charlesworth has the swagger one needs for Ursula but the real scene stealing of the night is Caden Tomlinson as Chef Louis/Jetsam. He is hilarious as Louis and brought some much needed energy to a rather dry part of that musical.

The stage is small at Ideal so this limits them in some areas of the show. For example, they only have 3 daughters of Triton and the actors are not on the wheelies I have always seen in productions of The Little Mermaid. Also they should be careful that the actors aren’t poking out of the wings on the stage. Particularly Ursula and her dress could sometimes be seen when she’s supposed to be off stage.

My favorite part production-wise is during the final conflict Ursula appears in video on the screen and we see her get taken down in big bold fashion. That was a fun touch that makes the stage not feel so small. If you are looking for a nice way to introduce your family to musical theater The Little Mermaid at Ideal Playhouse is a great option. Especially your little girls will walk away singing like Ariel and wanting to be part of the grown up world as soon as possible! It is playing through July 26th and tickets can be purchased here. I give mixed to the musical but go and see it to the production.

The Little Mermaid has music by Alan Menken and lyrics by Howard Ashman and Glenn Slater with a book by Doug Wright based on the classic story by Hans Christian Andersen and the 1989 animated film

If you enjoy my writing and would like me to review your production I’d love to. I also have a patreon which is a great way to support my shorter logs for shows I don’t get to review. I have some really fun perks like bonus episodes, patron polls and monthly Q&As with actors, directors and writers. Please take a look here.

‘An American in Paris’ is a triumph of dance and artistry at The Ruth (Review)

| Rachel's Reviews

Of all the performance arts dance is probably my least favorite. I think it’s an incredible skill and the dancers are unbelievable athletes but if I had to pick between a concert, ballet, opera, or play I would definitely pick ballet last. That’s why I was a little hesitant to see An American in Paris which just opened at The Ruth this weekend. I know this is a dance-heavy show because I actually saw it back in 2015 on a quick trip to New York I took that year. Fortunately my worries were put to rest as this new production of An American in Paris at The Ruth is as good as anything I saw on Broadway and a special event in this year’s Utah theatre landscape.

With An American in Paris being so dance-centric it is essential the choreography be compelling and executed well and it is at The Ruth. Director Jennifer Hill Barlow and choreographer Penny Saunders make every scene a stunning work of art where the movement of the human bodies transfixes the audience with its beauty and storytelling abilities. And it’s not just ballet but we see contemporary, ballroom and tap numbers throughout (I am not a dance critic but they all looked incredible to my eye.) The lighting by Ryan Fallis is also stunning with bold red backgrounds and mood lighting particularly standing out. The costumes were made with the assistance of Ballet West Artistic Director Adam Sklute are incredibly well done and almost another character in the dance sequences.

The story is pretty simple with a love triangle between artist Jerry Mulligan (Jonathan Tanner), composer Adam Hochberg (Jordan Briggs), dancer Henri Baurel (Thomas Wood) and the young Lise Dassin (Ella Bleu Bradford.) They go back and forth between who Lise is going to pick and who ‘deserves’ the girl. It’s all perfectly serviceable because it’s all just a setup or framework for the dance.

The only downside I can see with An American in Paris at The Ruth is it is a long show at nearly 3 hours and might try the patience of some who aren’t as impressed by the dancing and want more story. Sometimes I might include myself in that group but when it’s so well executed as it is here I couldn’t help but be impressed. I really wish they had a live orchestra for such an incredible production but I get it. That’s not what they do. It would just add the perfect finishing touch to hear live musicians playing those classic Gershwin tunes.

Many people will be aware of the classic film starring Gene Kelly and Leslie Caron. That is also a movie that is all about the dance. Tanner has Kelly vibes in his performance. Same with Bradford and Caron. Teaira Burge is also stunning as the rich Milo Davenport. My favorite numbers are the longer ballet dance sequences like “Concerto in F” at the beginning, “I’ll Build a Stairway to Paradise” and the final “An American in Paris” ballet.

I really can’t recommend this show more highly. I will be seeing the TTHS cast which has Rylee Rogers from Ballet West as Lise, so I’ll be back! All involved in this An American in Paris should be very proud. It is playing at The Ruth through July 19th and tickets can be purchased here.

An American in Paris features music by George Gershwin, lyrics by Ira Gershwin and a book by Craig Lucas based on the 1951 film.

If you enjoy my writing and would like me to review your production I’d love to. I also have a patreon which is a great way to support my shorter logs for shows I don’t get to review. I have some really fun perks like bonus episodes, patron polls and monthly Q&As with actors, directors and writers. Please take a look here.

UTAH THEATRE LOG 6/4/25-6/10/25 (Emma, The Sound of Music, Good Night and Good Luck) (RACHEL’S THEATRE LOG 144)

| Rachel's Reviews

Hi friends! It’s time to update you on some of the local theatre I’ve been watching. It’s a little different because I actually didn’t pay individually for any of the shows I’m talking about today but I was still in attendance as a patron not a critic so I think a shorter log is appropriate.

GOOD NIGHT, AND GOOD LUCK- LIVE STREAM CNN, BROADWAY

I have not been able to make the New York trip I would have liked to in 2025 so I was thrilled when I heard the George Clooney led play Good Night, and Good Luck was going to be streaming live from the theater on Broadway. This is the first time in history a live Broadway performance has been simultaneously televised.

While I obviously haven’t seen the live performance I wonder if the pro-shot is is the ideal way to watch this play? The set appears to be quite sprawling as it recreates the CBS studios of Edward R Murrow and chronicles his confrontations with Senator Joseph McCarthy. I was also surprised with the little side plot between Shirley and Joe Wershba (Ilana Glazer and Carter Hudson.) It’s been a while since I have seen the movie and I forgot about their inclusion. Clark Gregg also plays the producer Don Hollenbeck and he and Clooney have nice chemistry. These additions help keep the play from feeling preachy and overbearing when especially towards the end it begins to feel heavy-handed. It seems like Clooney is playing a variation on himself but he does a good job with it. Overall I was entertained by this play and am grateful I got the chance to see it. More like this please! You can watch the movie version of Good Night and Good Luck here (ad)

EMMA- BLUFFDALE ARTS, BLUFFDALE

Everyone knows I’m a big Jane Austen person so I will jump at the chance to see any local production of her works- especially when said production is free! Every summer Bluffdale Arts puts on free plays for its community and I think that is a wonderful gift to offer those around you. I love it. This year they have Emma and then Charley’s Aunt coming next at the outdoor stage at Bluffdale City Hall and Park.

My favorite part of this production of Emma is how approachable it is. If you are someone who feels Jane Austen is stuffy and even boring (how dare you!) this staging might change your mind. None of the actors are taking themselves too seriously and they are quick to make a joke or give a wink to the audience. The standout in this regard is Kylee Summer as Miss Bates. Leah Allred is also very funny as the snobby Mrs Elton but the whole cast are charming and easy to find the humor in their scenes.

Elena Arana is a wonderful Emma and has terrific chemistry with Alex Grover’s Mr Knightley. The only real downside to this (did I mention it’s free) is that it is a long sit. The transitions between scenes are very slow and it was almost 3 hours by the time we finished. I love Austen so I was fine with it but it might try the patience of some guests and is something they could work on.

That said, director Melanie Gonzalez and her team have put together an enchanting theatrical gift for their community with Emma and it is playing through June 14th. More information can be found here. This adaptation is done by Michael Bloom.

THE SOUND OF MUSIC- DRAPER AMPITHEATER, DRAPER

Like Jane Austen, everyone also knows I’m a huge fan of The Sound of Music; although, I do think it is one of the rare musicals where the movie actually improves upon the stage version. Still, any time I get a chance to see it I’m a happy woman.

I recently had the chance to see The Sound of Music at the Draper Amphitheater and while it was not as good as I am used to seeing from them it was still a nice way to spend an evening in Draper.

This production is directed by Robin Edwards and contains everything you could want from The Sound of Music– cute kids, charming songs and a brave captain standing up to Nazis. Tyler Oliphant is fantastic as Captain von Trapp and Serena Mackerell has a nice chemistry with the kids as Maria. Speaking of the kids they are all very cute especially in songs like “So Long, Farewell.”

I suppose if there is any disappointment it’s only because the other productions I am used to seeing at Draper Ampitheater have felt more polished and less of a community theater vibe. I was especially impressed with their Hairspray a couple years ago. This The Sound of Music is more of an amateur production but that’s fine. It’s still a cute enjoyable piece of theatre. It is playing through June 14th and tickets can be purchased here.

Good Night and Good Luck is written by George Clooney and Grant Heslov based on their film of the same name. Emma is based on the novel by Jane Austen and adapted by Michael Bloom. The Sound of Music has music by Richard Rogers, lyrics by Oscar Hammerstein II with a book by Howard Lindsay and Russel Crouse.

These logged shows I pay for out of pocket and I’d love to do that as much as possible. If you have a show you’d like me to take a look at and write a full review let me know. I also have my patreon which is a great way to support what I do and get some really fun perks. Find out more here.

‘Alice By Heart’ is a Weird Mixture of War and Wonderland at West Valley Arts (Review)

| Rachel's Reviews

As a patron of the arts even more than a critic I want companies to take risks and try bold and ambitious new productions. That said it doesn’t always mean those risks pay off, and I end up loving the finished product. This is now the second time I have seen the musical Alice by Heart. The first time was at Weber State University last Fall and now West Valley Arts has taken it on and it’s a decidedly mixed bag.

Not to over-compare productions but one thing that made the Weber State piece better is they created the atmosphere and feel of a wartime bunker more effectively. I keep feeling like WVA isn’t picking shows that use the theater-in-the-round set up they have to its advantages. Shows like this, A Chorus Line and A Play That Goes Wrong do not benefit from the immersive nature this stage has to offer. In fact, those shows in particular are actively hurt by this stage.

For Alice by Heart director Brooklyn Pulver Kohler doesn’t use the platforms in the audience at all failing to give much of an atmosphere or tone to a source material that desperately needs it for the mixture of war and nonsense to work. It leaves the audience alone to guess and try to figure out what is happening to the characters or even where the scenes are taking place (and we only have an electronic program so no help there.)

I feel like I am coming across too harshly on this review because there are things to like in this production. The talent is all there, and I appreciate the choreography by Emily Henwood and the creative costumes particularly for the Queen of Hearts (Rachel Mardis) by Tabitha Sublette although I would still say the Weber State team did a better job combining WW2 and Wonderland aesthetics even in the costumes.

The songs are largely forgettable and while Ivy Dunbar Jones has a good belt her performance as Alice feels one-note and shouty without any softness or sense of calibration to what she is facing. It’s all loud, loud, loud and that can be exhausting. The best number of the show is “Isn’t it a Trial” which makes the most of the various pieces all working together as Alice is on trial with the Queen of Hearts.

Still, if you are looking for something different that takes some risks than I’d recommend supporting Alice by Heart. I wish I loved it, but I appreciate the swing and hope they keep on experimenting at WVA. It is playing through June 28th and tickets can be purchased here.

Alice by Heart contains music by Duncan Sheik, lyrics by Steven Sater and a book by Sater and Jesse Nelson.

If you enjoy my writing and would like me to review your production I’d love to. I also have a patreon which is a great way to support my shorter logs for shows I don’t get to review. I have some really fun perks like bonus episodes, patron polls and monthly Q&As with actors, directors and writers. Please take a look here.

UTAH THEATRE LOG 5/29/25-6/3/25 (TOOTSIE, HIGH SCHOOL MUSICAL, DREAMGIRLS) (RACHEL’S THEATRE LOG 141)

| Rachel's Reviews

Hi friends! I have a quick log to update with a few of the shows I have been seeing. It’s been a busy time for both theater and film so make sure you are following me on instagram and youtube to get all of the out of theater reactions and updates!

Just a reminder for those new to the site. These logs are quick thoughts of shows I am a patron at not a critic to do a full detailed review. I would love to review any and all of these shows. Just email me at rachelsreviews65@gmail.com. Thanks!

DREAMGIRLS- THE GRAND THEATRE, SALT LAKE

I have to admit if I am going to give a company a pass it is more than likely to be for when I feel they are pushing themselves as a company and when they are presenting me with new and exciting material. While the musical Dreamgirls could in no way be considered a new show it is not performed often in community theatre and so I admire The Grand Theatre for taking it on. Indeed I had never seen this musical previous to their performance and am grateful I had the chance to check it off my musical theatre bucket list. It is also impressive that they had a full live orchestra to back up their performers. One doesn’t expect such a production for under $40.

I do have to say now I have seen it I probably won’t be dying to see Dreamgirls again. The story is just so tired and formulaic that it’s hard to get super excited about it. It’s one of those shows that lives and dies by its lead casting and luckily at The Grand they have a terrific Effie in Quesley Soto. I wish Effie was written with more nuance and less like a soap opera character but she does what she can with the role. Darby Mest is also a standout as fellow Dreamette Lorrell. The rest of the cast is a little more mixed but they are all trying their hardest and there is a nice community spirit amongst the cast, which I appreciate.

Technically speaking Dreamgirls at The Grand is directed well by Latoya Cameron with the musical sequences having the cabaret feel needed for the numbers. However, the real standout is the incredible costumes by Shannon McCullock and her team. I wish I could have one of the sparkly dresses that Effie and the other girls are wearing!

Dreamgirls is playing at The Grand through June 14th and tickets can be purchased here.

HIGH SCHOOL MUSICAL- BYU, PROVO

It’s hard to not be charmed by the catchy tunes and energetic nature of High School Musical whether on stage or in the film DCOM. The songs are so much fun and the production at BYU is a great time for the whole family.

What stands out the most is the production elements. The set by Marguerite Morgan looks like something you could find at Disneyland. So bright, colorful and professional. It’s also super cool that they had large screens shaped like cell phones on the side of the stage and had pre-filmed footage commenting on the events (like a Wildcat news update) filmed at the actual East High (advantage of being in Utah I suppose.) The production is directed by Geoffrey Reynolds and he seemingly thought of everything to make this a great show. The only downside is it was very warm in that theatre and some of the singing was weaker than usual for a BYU show.

Still if you are looking for an introductory show for the whole family High School Musical at BYU would be a great pick. I had a great time with it. It plays through June 14th and tickets can be purchased here.

TOOTSIE- EGYPTIAN THEATRE, PARK CITY

Like I said I really appreciate it when companies take chances with new and unique shows here in Utah. This is what got me to go up to Park City to see Tootsie at The Egyptian last week. I had heard mixed reviews of the show when it was on Broadway but I wanted to decide for myself and took the chance to go up there and see it. To my surprise I quite enjoyed the show. I’d even say it’s a little underrated amongst recent Broadway offerings (I liked it better than something highly praised like Kimberly Akimbo so go figure.)

What makes Tootsie work is it’s not afraid to have a genuinely unlikable lead character in Michael Dorsay (Jeremy Gross) and it’s not just a copy and paste from the movie like Mrs Doubtfire. I was surprised how funny I found it and a lot of that goes to the very likable cast including Gross, Caleb Parry as his roommate Jeff and Morgan Parry as Julie. This production is directed by Kyle Esposito and he trusts his talented cast to do their jobs and keeps the staging and choreography simple. I do think this show would have made more sense and been better if it was set in the 80s like the movie. So many of the elements including modern gender roles and communication (social media) do not make sense for 2025. Set it in 1982 it’s immediately funnier and more insightful.

That said, I did enjoy it more than I was expecting. Unfortunately Tootsie has finished its run but you can find out more about The Egyptian here.

Dreamgirls has book and lyrics by Tom Eyen and music by Henry Krieger. High School Musical is based on the DCOM written by Peter Barsocchini with book by David Simpatico, music adapted by Bryan Louiselle and songs by a variety of writers. Tootsie has music and lyrics by David Yazbek with a book by Robert Horn.

These logged shows I pay for out of pocket and I’d love to do that as much as possible. If you have a show you’d like me to take a look at and write a full review let me know. I also have my patreon which is a great way to support what I do and get some really fun perks. Find out more here.

UTAH THEATRE LOG 5/22-5/28/25 (TUCK EVERLASTING, ELVIS, NOISES OFF, THE WEDDING SINGER) (RACHEL’S THEATRE LOG 139)

| Rachel's Reviews

Hi theatre friends! I hope you are doing well. I have some of my logs to update you on. For those new to my site the logs are shorter reviews of performances (mostly theatre) that I have seen as a patron not a critic. If a company is interested in a full review (as well as my social media posts) just let me know at rachelsreviews65@gmail.com.) If you would like to support what I’m doing and get some cool perks check out my patreon.

Meanwhile I have 4 shows to log for you today so let’s get started:

TUCK EVERLASTING- CENTERPOINT LEGACY, CENTERVILLE

Occasionally an incident from my life will impact how a work effects me. Such was the case at Tuck Everlasting at Centerpoint. On the drive up to the theater I witnessed a traffic accident, which is a sobering experience. And of course, a musical about life and death like Tuck Everlasting is going to hit home even more than it might otherwise do after such an experience.

If you didn’t know this musical tells the story of Winnie Foster (Penny Hodson) who one day running away from home meets the Tuck family who have been blessed (or cursed?) with eternal life. She is particularly taken with Jesse (Maxwell Sperry) and they form a strong bond with each other. The whole cast is fantastic at Centerpoint, and I was impressed with not only their various singing abilities but the amount of dance required including a beautiful Act 2 ballet called “The Story of Winnie Foster.” It is worth seeing this show for that ballet alone (and I’m normally not someone who is wowed by dance.)

The choreography by Aaron Ford is outstanding as is the direction by Danny Inkley and the stunning sets with a rotating stage and forest-painted fabric that stretches all the way up the ceiling by scenic designer Joshua Roberts. I do think Tuck Everlasting drags a bit, and I can see why it didn’t last long on Broadway (aside from the ballet does it need to be a musical?) However, this production at Centerpoint is worth your time- especially given their low price-points. It is playing until June 17th and tickets can be purchased here.

ELVIS CONCERT- TRAVIS ALLEN AT IDEAL PLAYHOUSE, HEBER

I don’t often review concerts on here as I am not a music critic, but I wanted to let you all know about what they are doing up at Ideal Playhouse in Heber. In addition to quarterly productions they have musical acts on a regular basis. They seem to specialize in cover bands of classic acts and other vintage performers. I was able to see Travis Allen there last week and it was a lot of fun. He is one of the top Elvis impersonators in the country, and he puts on a good show. I was very impressed with how long the set of songs is and how personal and entertaining he is. It was a little warm in the theater but other than that I had a great time. Definitely check out Ideal Playhouse for their upcoming shows.

NOISES OFF!- PARKER THEATRE, SALT LAKE CITY

I was a little nervous going into Noises Off! at Parker. Not because I didn’t think they would do a good job. I knew they would, but I had just seen it at Centerpoint and sometimes comedies don’t bear the same repetition as other genres. I shouldn’t have been worried because even though I loved what they did at Centerpoint this was equally entertaining at Parker if not more so. I have rarely laughed more than at this hilarious production.

It’s hard to know who to praise more for this success but director Jennifer Hohl has to be top of the list. There are so many moving targets to keep track of including little details like where a plate of sardines are left, or if a bag is hung or not hung on a hook. The whole setting is a play-within-a-play so they need both the set facing the audience and the back which is not to work. Not only that, but when they are behind the set we need to hear them and make it sound differently than those performing directly in front of us on the stage. The sound design is always top tier at Parker and that’s no exception for Noises Off! (sound designer Spencer Hohl.)

My favorite of the performers is Corinne Adair Myers as Brooke/Vicki. She nails every bit of comedic potential in that dumb blonde type character. But they are all really funny. It’s one of the best shows I’ve seen at Parker and that’s saying something. If you like The Play that Goes Wrong I bet you’ll like Noises Off! It is playing through June 28th and ticket can be purchased here.

THE WEDDING SINGER- DRAPER HISTORIC, DRAPER

I have actually already reviewed DHT’s production of The Wedding Singer. The full review can be found here. But I wanted to see the MWF “Poser” cast, so I went with my friend to the Memorial Day show and it was super fun. The big standout of this cast was the supporting performers. Tanner Larsen actually plays George in both casts, and he’s such a talented comedic performer. I also really enjoyed Spencer Bushman as Sammy and Ashlee Howell as Holly. I hope both of them will be considered for leads in future productions. They deserve it. Alyssa Edwards is also really funny as Grandma Rosie. I do feel the other cast is a little more unique and not trying to duplicate the performances in the movie, but this is still a charming show and would make for a great date night. The Wedding Singer is playing at DHT until May 31st and tickets can be purchased here.

Tuck Everlasting has music by Chris Miller and lyrics by Nathan Tysen and a book by Claudie Shear and Tim Federle based on the novel by Natalie Babbitt. Noises Off is a play by Michael Frayn. The Wedding Singer has music by Matthew Sklar and lyrics by Chad Beguelin with a book by Beguelin and Tim Herlihy based on the film with script by Herlihy.

These logged shows I pay for out of pocket and I’d love to do that as much as possible. If you have a show you’d like me to take a look at and write a full review let me know. I also have my patreon which is a great way to support what I do and get some really fun perks. Find out more here.

IT’S A GOOD SHOW AT THE EMPRESS WITH ‘YOU’RE A GOOD MAN CHARLIE BROWN’ (REVIEW)

| Rachel's Reviews

It’s interesting how a show can evolve over time for me as a patron and critic. When I first saw You’re a Good Man, Charlie Brown I wasn’t that excited by it and found it kind of dull and lifeless. Then I saw it recently with the Silver Haired edition at the Covey and it really opened my mind up to the power of the show (and just in doing a show in a completely different way.) Now I have seen it a third time at The Empress and I’m growing to really love this show! I can see why I first found it to be boring because it doesn’t have a strong narrative but I appreciate it now for the series of sweet vignettes it is. If you want to check out this unique musical this production at The Empress seemingly thinks of everything and is a wonderful night of theatre for the whole family.

The most outstanding aspect of You’re a Good Man, Charlie Brown at The Empress is them getting a 7 piece band for the show. That is extremely impressive for a community theatre production which only charges $20 a ticket. And the band led by conductor Amanda Robinson is good particularly saxophonist Spencer Leyva-Cardenas. It adds such a layer to the experience to have live music and I wish more local theaters would support local musicians like the Empress did.

Director Emma Hallett has also assembled a talented cast. Often at The Empress there are a couple performers who are learning, which is fine (it’s amateur community theater after all!), however that isn’t the case with this Charlie Brown cast. Of the 11 in the main cast all hold their own in both the singing and choreography. Sonny Payne is innocent and sweet as Charlie Brown but Gweny Adams as Lucy Van Pelt is the biggest standout. I loved her in the crabbiness survey scenes and singing “Little Known Facts” with such confidence and humor.

The choreography by Gracie George and the direction takes advantage of the unusual shape of The Empress’ stage going into the audience and even interacting with the band on occasion asking for the conductors opinions on things, which is a lot of fun. The props such as Snoopy’s doghouse and Lucy’s psychiatrist booth are also just what you want for these iconic characters.

Most importantly they keep the energy moving at The Empress. I imagine the live band helps with that because it can feed off of the energy and pacing of the performers where an audio track cannot. You’re a Good Man, Charlie Brown would be a great way to introduce little kids to live theatre. It will charm and entertain them and give a few topics for conversation on the drive home (like how should we treat people, and what do we do to tell others we love them etc.) It is playing through May 31st and definitely worth your time. Tickets can be purchased here.

You’re a Good Man Charlie Brown has music and lyrics by Clark Gesner with a book by John Gordon and a revision by Andrew Lippa.

If you enjoy my writing and would like me to review your production I’d love to. I also have a patreon which is a great way to support my shorter logs for shows I don’t get to review. I have some really fun perks like bonus episodes, patron polls and monthly Q&As with actors, directors and writers. Please take a look here.

OMG YOU GUYS! ‘LEGALLY BLONDE’ IS GREAT AT HERITAGE (REVIEW)

| Rachel's Reviews

One of the slightly unfair parts of theatre criticism is there are just some shows I like better than others. I still try and be as objective as possible when looking at any piece of theatre or film but I’m still human and have my preferences. One of my favorites is definitely Legally Blonde: The Musical. Over the years there have been so many movies turned into Broadway musicals and outside of Hairspray, Legally Blonde is the best. I absolutely adore it and the new production at Heritage Theatre in Perry does Elle and her story proud. Definitely take the time to see it if you are anywhere nearby.

If you didn’t know Legally Blonde tells the story of Elle Woods- the fashion merchandising student who ends up at Harvard Law School to try and win back her boyfriend after she is dumped by him. At Heritage I saw the Rufus cast (the casts are the same except for the 3 leads Elle, Emmett and Paulette) with Janelle Wiser playing Elle, Tyler O’Bagy as Emmett and Casie Littlefield as Paulette. All 3 are a ton of fun in their roles and Wiser and O’Bagy have a nice chemistry as our lead couple. Wiser brings the warmth and bubbly energy one needs for Elle and she makes her easy to root for.

This production is directed by Mike and Lindy Combe and they have done a great job getting the most out of each of their castmembers. It’s not perfect but a charming piece of community theater. I think what I like most about Legally Blonde as a musical is how positive and truly funny it is. It makes it completely rewatchable. If I can find the time to drive up to Perry (over an hour drive for me) I may even come back and see the other cast.

One of the most impressive aspects of Legally Blonde at Heritage is the hand-painted sets by Jess Tarbet. The last few times I’ve seen this show it has been primarily projection sets which is fine but I love hand-painted sets. Maybe it’s nostalgia talking but it just adds to the creativity of a production. They even have an RV background for the scene when they get Rufus from Dewey and that is only in the show for a few minutes. I thought they would at least do a projection for that scene but they didn’t.

The costumes are mostly great by Amber Beecher especially on the Greek chorus in their various color-coordinated looks. The only exception is Elle’s bunny outfit either didn’t fit Wiser right or the fabric is too slippery because it kept getting lower and lower to the point I was worried she might have a wardrobe malfunction. She didn’t but that’s something they could work on for the next show.

There are also times the sound-mix wasn’t quite right and the music overwhelmed the actors but again that’s something they can keep working on throughout the run of the show. Other than that Legally Blonde: the Musical at Heritage is a charming piece of community theatre. It does have some mature content (pg13ish) but if you are in the area I definitely recommend giving this pink underdog of a show a chance. It is playing through May 10th and tickets can be purchased here.

Legally Blonde: the Musical has music and lyrics by Laurence O’Keefe and Nell Benjamin with a book by Heather Hach. Based on the novel by Amanda Brown and the MGM film (2001.)

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