‘LITTLE WOMEN: THE MUSICAL’ AT IDEAL PLAYHOUSE ASTONISHES (REVIEW)

The novel Little Women by Louisa May Alcott will always have a special place in my heart. It was the first big book I ever read. The first book I was proud of for finishing at around 8 or 9. I think as the oldest daughter in a family which would come to include 4 girls and having an independent streak like Jo I easily connected with it and have loved almost all adaptations of this material I’ve seen film or stage (we don’t talk about the modern version from 2018…) I’ve seen Little Women: The Musical many times over the years and really enjoyed it each time. The latest version is at the Ideal Playhouse in Heber and it’s a production worth your time and effort.

Little Women: The Musical came to Broadway in 2005 and helped Sutton Foster receive a Tony Award nomination for playing Jo. It has music by Jason Howland, lyrics by Mindi Dickstein, and book by Allan Knee. The production at Ideal is directed by Steve Anderson with music direction from Karyn Anderson.

One of the aspects that makes Ideal Playhouse so unique is the screens surrounding the viewer on all sides. I hope to see a concert or event film there soon because it adds a special element I’ve never seen before in a theatrical production. This was particularly neat in operatic tragedy numbers of this musical with the audience being surrounded by action and excitement. It is a cool way to differentiate the space from the many other local theatre companies.

They also have a terrific cast for this production with Ashley Bates as Jo, Lisa Blaser as Marmee and the great Michael McLean as Mr Lawrence. He mentioned on social media this is his first time playing a different character outside of his own material. I’ve seen McLean in The Forgotten Carols several times but it was super fun to see him stretch his acting wings here. I actually got to interview him during the pandemic and he is as friendly as you’d expect.

The highlights of Little Women: The Musical are the beautiful duet between Beth and Jo “Some Thing are Meant to Be.” It’s such a lovely song and performed with skill and chemistry at Ideal. I also love Marmee’s song “Days of Plenty.” The rest of the songs are fairly generic Broadway ballads and bops but certainly pleasant enough and well performed.

The costumes feel a little more Regency than mid-19th century but my favorite of the night was worn by Nicole Cable as Aunt March, and she is the costume designer for the production. All the other sets and transitions worked with the projections to create a warm and comforting atmosphere on stage.

There are times when the music overpowers the performers and there was a problem with the mics not being turned off when actors are off stage. You could hear little whispering off stage which can be distracting to what’s going on on stage.

Other than that, I really enjoyed Little Women: The Musical at Ideal Playhouse. If you are in and around Heber I recommend seeking it out. They also listened to my advise and lowered prices to under $30, which I appreciate. With children at just $14 this could be a great family activity especially young girls will love. Go out and watch something that’s astonishing! This show plays through Oct 12th and you can purchase tickets here.

If you enjoy my writing and would like me to review your production I’d love to. I also have a patreon which is a great way to support my shorter logs for shows I don’t get to review. I have some really fun perks. Please take a look here.

‘THE WOMAN IN BLACK’ AT THE COVEY USES THE BLACK BOX FOR PRIME SCARES (REVIEW)

It’s always nice when a company knows their venue and selects material that suit the space well. Such has been the case with the last several selections for the Covey Center for the Arts in their Brinton Black Box Theater. They recently did Wait Until Dark which was ideal for that small confined space and the same can be said for their latest production: The Woman in Black. This was my first time seeing this play and Covey was kind enough to provide me with a ticket and for 2 of my friends who were in town for the Fanx convention. This was above and beyond on their part, and I am sincerely grateful.

This review will probably be on the brief side because I don’t want to spoil any of the surprises for you.

As I said, this was my first time seeing this play although I am going to see it later in October at the Parker and evidently it has been playing on the West End in London for some time. The Woman in Black is a play by Stephen Mallatratt based on the novel by Susan Hill and it tells the story of a young man who travels to help settle the estate of a reclusive widow, Mrs Drablow. What he doesn’t realize is that the home is haunted by the Woman in Black of the title, and she does not plan on going away without a fight.

While the events of the play can be quite thrilling for some reason Mallatratt decides to set them in the construct of a play-within-a-play. This was confusing and rather tedious a set up that I just didn’t enjoy. However, once the actual characters and story starts everything perks up quite a bit. Act II especially is one thrill after another and I left feeling very satisfied with an exciting theatrical experience.

I’m actually surprised The Woman in Black isn’t done more because it has a cast of only 2 people making it very approachable for a community theater to put on. At Covey they have wisely cast Samuel Wright as the Actor and Mathew DelaFuente as Arthur Kipps. DelaFuente is one of the finest actors we have working in Utah today and he carries this production on his back and does so well. Especially as things became more tense and scary he commits fully to the moment which was impressive with so much being left to the imagination (even the dog is imaginary.)

Director Morgan Gunter uses DelaFuente and the simple sheer black curtains of a theater to create atmosphere and tone. Spencer Powell’s lighting, and the Robert Seely/Mark Pitt sound design are also critical in making the scares pop when they need to (and pop they do!)

In the end, The Covey’s The Woman in Black does take a bit to get going but if the audience can have some patience they will be rewarded with a fun night of scares and surprises. It might be too scary for young ones but anyone teenager age should be fine and they’ll have a great time. It is playing until Oct 21st and tickets can be purchased here.

If you enjoy my writing and would like me to review your production I’d love to. I also have a patreon which is a great way to support my shorter logs for shows I don’t get to review. I have some really fun perks. Please take a look here.