william-shakespeare

What fun fools these mortals be at ‘A Midsummer Night’s Dream’ at The Empress (Review)

| Rachel's Reviews

I’ve said it before but I wish more community theaters would consider putting on plays rather than musicals. They are such a great way to train up new talent, build confidence and there’s less room for error when it comes to audiences. While companies can do plays from any era it is also entertaining to see different interpretations on plays within the public domain- Shakespeare being the most popular playwright even to this day. A great example of an entertaining take on Shakespeare is currently showing at The Empress with their Appalachian themed A Midsummer Night’s Dream. I was lucky enough to attend on their Dolly Parton tribute night but any night is worthy of your time and patronage.

Also thanks to the good folks at the Empress for printing me a program. It really helps me a lot to enjoy the experience more

There’s a reason why Midsummer is Shakespeare’s most produced play (It actually was the most produced straight play period by high schools in 2025-2026!) because its play-within-a-play structure allows for a lot of creativity and adaptation. A company can really make it their own which is harder to do with some of Shakespeare’s other works. Like I said, at The Empress they have an Appalachian theme but they are also working in dance any way they can. Director Dallyn Steenerson and choreographer Stormy Hintz even start out the evening with an extended dance of the fairies setting the tone for what we will experience.

We then alternate between the Mechanicals and their ridiculous theatrical antics and the 4 Athenian lovers who are played tricks on. If anything Puck and his fairy teams are a bit more understated than I’ve sometimes seen (I always feel sad when I see Puck because of stupid Dead Poets Society which is stupid but true.) The lighting design by Chris Peck adds a lot to the story with starlight covering the stage on multiple occasions. It creates the magic you need for these wonderous events.

I’ve always felt the events with the Mechanicals is where Midsummer loses me. It’s like Shakespeare only had enough story for a one act so he puffed it out with all of the meaningless antics of this acting troupe. However, Biz Sharp as the leader Bottom is very funny and brings a lot of energy to the part. She makes those scenes enchanting and fun to watch.

That said, my favorite cast of the night was the youthful energy of the 4 Athenians- Kami McDonough as Hermia, Tanner Larsen as Lysander (who is such an underrated local talent,) Jezory Munoz as Helena and Braxton Moore as Demetrius. They all conquered the Shakespearean dialogue very well and have great chemistry as a cast.

I do wish Steenerson had involved the Appalachian theme more. I think some accents might have been nice and in the final 2 acts of the Mechanicals performance we could have had more of a folksy feel. Particularly for Dolly night it might have been nice to play one of her song choruses during that section. I also am not sure why they had me seated where they did because I really couldn’t see much of what was going on on the top of the platform because of the angle I was at and the large ladder blocking my view. I am, however, happy they had a sold out show so can’t complain much. I do also wish they could have made the greenery over the entire back wall just to make it more immersive but I understand that is probably a budgetary item.

Sitll, I enjoyed my night in the fairy forest with A Midsummer Night’s Dream at The Empress. I hope they have a good response and are encouraged to keep doing more plays like this. It is playing through Sept 12th and tickets can be purchased here. (Also don’t be afraid of it being in Magna. It’s just a hop up from the SLC airport. Not far)

A Midsummer Night’s Dream is the 12th play written by William Shakespeare. He wrote it sometime around 1595 in between Richard II and King John. The events of the play revolve around Greek mythology and the marriage between Theseus and Hippolyta. It is still incredibly popular to this day. It along with The Tempest are Shakespeare’s most fantastical stories.

If you enjoy my writing and would like me to review your production I’d love to. I also have a patreon which is a great way to support my shorter logs for shows I don’t get to review. I have some really fun perks like bonus episodes, patron polls and monthly Q&As with actors, directors and writers. Please take a look here.

Merry Wives stays merry through the rain at Creekside (Review)

| Rachel's Reviews

One of the best parts of watching and reviewing community theatre is how unpredictable it can be. One never knows when sitting down to a performance if we will get the one night where a voice cracks or an actor forgets all their lines and improvs- you get the idea. It could also be a night of triumph for the entire company. We just don’t know. Of course, sometimes the elements of a performance end up outside of the cast and crews control and the team has to then adapt to the unexpected. Such was my experience yesterday at Creekside and the weather for The Merry Wives of Windsor.

I honestly was nervous going to the play that night because it had been a rainy day. If I was just a patron and not doing a review I probably wouldn’t have come (reason for the small attendance I’m sure) but I like to uphold my commitments whenever possible and so rainclouds and all I headed to Cedar Hills to watch the show.

To be clear Creekside has 3 venues this year both inside and outside but Merry Wives is held in the outdoor venue at Heritage Park. It is literally creek-side where on the left of the stage is a loud running creek. The previous year we had a wind storm that was incredibly memorable (see review here) so I might just be bad luck for this company but we will always keep trying!

The night started tame enough but about 20 minutes in the rain began and I was fortunate to have a chair with a sun covering for the beach. They were also very good about distributing umbrellas to anyone who needed it, which I appreciate. There wasn’t any lightning so no danger to the actors so we pushed on forward. Between the creek and the wind it sometimes was hard to hear the actors but fortunately it is not a complex play so I followed along just fine.

If you are unfamiliar with Merry Wives it is quite possibly Shakespeare’s silliest play focusing on Sir John Falstaff and his attempts to seduce 2 rich married women (hence the wives.) These women, Mistress Ford and Page, are rightfully offended by his advances and seek revenge on him in very funny ways. Because of some outdated elements it isn’t a play performed a lot, and I’ve actually only seen it one other time years ago (although they just announced it for Utah Shakespeare Festival for 2027 so that will be fun.) I wish I could have had a distraction-free viewing without the rain but I still enjoyed the opportunity to see this silly play.

The production at Creekside is directed by Jan Hunsaker and I appreciate her using the unique space as much as possible. Several times actors come out into the crowd- at one point an actress handed out chocolates to us and during the scene with the faeries the actors are on the grass dancing outside of the actual stage. I also appreciate when Falstaff gets dumped into the Thames the actor actually goes down into the dry creek-bed and pulls himself back onto the stage. They also do a good job with all of the laundry props that are given to Falstaff to make him look ridiculous. The costumes by Jen Christensen are also a lot of fun although a little confusing as to what era they belonged in. Some seemed to be Edwardian, others Renaissance, others Victorian but I did like the colors and fabrics used.

While the weather did make it harder to absorb some performances I was still impressed with the quality of the cast. Liam Owens is appropriately stupid and foppish as Falstaff and Hillary Straga and Jana Wilhite have a nice chemistry together as Mistress Ford and Page. I particularly appreciate towards the end when Falstaff is dressed as a stag and made to look the fool. It’s very funny.

I also appreciate they shortened the intermission with the rain so we were able to get finished the production in around 2 hours. This is considerate of the audience sitting out in the rain. I wish I had time to see The Merry Wives of Windsor again at Creekside but I do not. Fortunately you still have time to see it. It is playing through July 1st and tickets can be purchased here.

The Merry Wives of Windsor is Shakespeare’s 23rd play having been written between 1600-1601. It is sandwiched in between Hamlet and Troilus and Cressida so it must have been a breath of fresh air in between 2 tragedies and especially a nice break after the intensity of Hamlet. Evidently Queen Elizabeth 1 asked Shakespeare to write a play about Falstaff after seeing him depicted in Henry IV Part 1

If you enjoy my writing and would like me to review your production I’d love to. I also have a patreon which is a great way to support my shorter logs for shows I don’t get to review. I have some really fun perks. Please take a look here.

Utah Shakespeare Festival 2025 Recap and Log

| Rachel's Reviews

Hi friends! This month I had the opportunity to attend The Utah Shakespeare Festival in Cedar City. I was attending as a patron not as a critic so I am not reviewing what I saw there but I did cover them on my podcast.

I attended the festival with my friend Jacks and went with the Utah Theatre Lovers group which is a wonderful organization I highly recommend following on facebook and attending their events. We covered the whole experience on the OnStage Blog podcast episode you can see above (and on all the podcast platforms here)

Here’s a few quick thoughts about each of the shows I saw:

The Importance of Being Earnest

First up we had The Importance of Being Earnest written by Oscar Wilde and directed by Rodney Lizcano. The strength of this production is Sarah Shippobotham as Lady Bracknell (I really loved her in Steel Magnolias as well.) The costumes by Bill Black are also outstanding. That said this isn’t my favorite play. I’ve seen it a few times and I just don’t find it that funny and when I’m not laughing at a comedy I find it tedious. This was particularly true for this showing as I was tired after a long drive and struggled to pay attention. (Really the first day was hard for me but that’s on me not the performers.)

Macbeth

Next we had Macbeth and even though I was over-heated and not feeling well this was a really fun take on the classic Scottish drama! What particularly stood out is them including Hecate, the Greek goddess of magic and witchcraft which is usually cut out of the show. Not only is she included but it’s quite the spectacle with a giant bird apparatus that takes up most of the stage. This was so impressive that at times Macbeth and Lady Macbeth felt like a bit of an afterthought but it is still definitely fresh and innovative. Director John DiAntonio.

Steel Magnolias

The following morning I was better rested and we started the day with Steel Magnolias. I love this play and I saw a wonderful version of it earlier this year see review here. This is also an outstanding production and my favorite play I saw at the festival. The play is written by Robert Harling and directed by Melissa Maxwell and it lives and breathes on the chemistry of the women and them being able to play believable friends, which this cast does in spades. I particularly loved Olivia D. Dawson as M’Lynn and her final speech is devastating. If you have a chance to see Steel Magnolias take it. It’s such a good play.

Antony & Cleopatra

Our second Shakespearean play is the rarely performed Antony & Cleopatra. This is directed by Carolyn Howarth and I like that she leaned into the campy elements of the story. This is not a girl power take on Cleopatra, which some in our group were annoyed by but I didn’t mind it. there are times where the narrative can get a little confusing- probably because they had to cut a lot of the play to make it manageable but it still was sold with enough panache to have a good time with. Kathryn Tkel and Geoffrey Kent make for a convincing Harlequin-esque version of our leading couple. It’s campy fun.

Ken Ludwig’s Dear Jack, Dear Louise

Our final day of the festival started with a black box play called Dear Jack, Dear Louise which is a fictionalized account of how writer Ken Ludwig’s parents met writing letters in World War II. The lead couple are played by couple-in-real-life John DiAntonio and Caitlin Wise which I think helps them to be able to have chemistry despite never meeting until the end of the show. Everything is very cleverly staged by director Michael Perlman so that the 2 never make eye contact despite sharing a small stage together but they still manage to interact together. The only thing I wish I had was a few lines about how they were matched as pen pals to get begin with but this type of romantic play is totally up my alley and I loved it.

As You Like It

The final show of our trip (we didn’t see A Gentleman’s Guide to Love and Murder which I wasn’t too sad about because I’ve seen that show many times and I think it is just ok) was As You Like It. It’s a Shakespeare I think I had seen once before but am not overly familiar with like I am Macbeth or Twelfth Night. Overall I enjoyed it but it is not as funny as I thought it was going to be. In a lot of ways it reminded me of A Midsummer’s Night Dream. Both are about love and magic that happens in a forest and both have about the same level of humor. The only bummer for me about this production is the big wrestling match that everyone was excited about I couldn’t see well because of where the actors are placed. They basically blocked my view of the big spectacle moment of the show! Director Beth Lopes needs to consider the sightlines of the audience especially because those actors could have easily been further back on the stage. Still, the ensemble is very strong led by Kayland Jordan as Rosalind. The Orlando played by Gabriel W Elmore is exactly what you want for a leading man role like Orlando.

So that’s the festival. If you got to attend this year let me know what you got to see and what you enjoyed. They have an incredible line-up planned for next year so hopefully I will be able to get back down there. It’s always a highlight of my theatrical year.

The whole festival gets a Go See It!

These logged shows I pay for out of pocket, and I’d love to do that as much as possible. If you have a show you’d like me to take a look at and write a full review let me know. I also have my patreon which is a great way to support what I do and get some really fun perks. Find out more here.