It’s always nice when a company knows their venue and selects material that suit the space well. Such has been the case with the last several selections for the Covey Center for the Arts in their Brinton Black Box Theater. They recently did Wait Until Dark which was ideal for that small confined space and the same can be said for their latest production: The Woman in Black. This was my first time seeing this play and Covey was kind enough to provide me with a ticket and for 2 of my friends who were in town for the Fanx convention. This was above and beyond on their part, and I am sincerely grateful.
This review will probably be on the brief side because I don’t want to spoil any of the surprises for you.
As I said, this was my first time seeing this play although I am going to see it later in October at the Parker and evidently it has been playing on the West End in London for some time. The Woman in Black is a play by Stephen Mallatratt based on the novel by Susan Hill and it tells the story of a young man who travels to help settle the estate of a reclusive widow, Mrs Drablow. What he doesn’t realize is that the home is haunted by the Woman in Black of the title, and she does not plan on going away without a fight.

While the events of the play can be quite thrilling for some reason Mallatratt decides to set them in the construct of a play-within-a-play. This was confusing and rather tedious a set up that I just didn’t enjoy. However, once the actual characters and story starts everything perks up quite a bit. Act II especially is one thrill after another and I left feeling very satisfied with an exciting theatrical experience.
I’m actually surprised The Woman in Black isn’t done more because it has a cast of only 2 people making it very approachable for a community theater to put on. At Covey they have wisely cast Samuel Wright as the Actor and Mathew DelaFuente as Arthur Kipps. DelaFuente is one of the finest actors we have working in Utah today and he carries this production on his back and does so well. Especially as things became more tense and scary he commits fully to the moment which was impressive with so much being left to the imagination (even the dog is imaginary.)
Director Morgan Gunter uses DelaFuente and the simple sheer black curtains of a theater to create atmosphere and tone. Spencer Powell’s lighting, and the Robert Seely/Mark Pitt sound design are also critical in making the scares pop when they need to (and pop they do!)
In the end, The Covey’s The Woman in Black does take a bit to get going but if the audience can have some patience they will be rewarded with a fun night of scares and surprises. It might be too scary for young ones but anyone teenager age should be fine and they’ll have a great time. It is playing until Oct 21st and tickets can be purchased here.

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